I'm not sure what was more captivating to see in this film, Antonioni's use of colour in this, his first colour film, or his use of black and white images amidst all that colour.  Still images, photographs, really, permeate the film.  He shuns the obvious novelty of garish colour (unlike Fellini with Amarcord, not that … Continue reading #522 RED DESERT Michelangelo Antonioni 1964: Colour in Greyscale →